Products related to Production:
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Digital Media Production for Beginners
Written for the non-specialist media producer, this book offers a practical and engaging guide to basic digital media production using modern equipment and software. As media production tools and software become more pervasive and traditional media jobs scarcer, today’s media professionals are now expected to be content creators across multiple forms of media, often working with little more equipment than a smartphone.In this accessible manual, Griffey explains how well-crafted media can help sell products, bolster subscriptions, and influence public opinion—and how to go about crafting it in a landscape of high-speed social media consumption.Topics covered include the basics of photography, film, video, and audio production, as well as animation and building websites.Readers will learn not just how to shoot or record content, but also how to edit, compress, and share it, considering the most appropriate file types, equipment, software, and platforms to use for each scenario.After reading this book, students will understand best practices associated with almost every area of media production and possess the essential skills to get the job done. This book is an essential companion for students in communication disciplines, including PR, advertising, journalism, and marketing, looking for a solid grounding in digital media production to prepare them for the competitive job market.
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Collaborative Media : Production, Consumption, and Design Interventions
A thorough analysis of contemporary digital media practices, showing how people increasingly not only consume but also produce and even design media.With many new forms of digital media-including such popular social media as Facebook, Twitter, and Flickr-the people formerly known as the audience no longer only consume but also produce and even design media.Jonas Loewgren and Bo Reimer term this phenomenon collaborative media, and in this book they investigate the qualities and characteristics of these forms of media in terms of what they enable people to do.They do so through an interdisciplinary research approach that combines the social sciences and humanities traditions of empirical and theoretical work with practice-based, design-oriented interventions.Loewgren and Reimer offer analysis and a series of illuminating case studies-examples of projects in collaborative media that range from small multidisciplinary research experiments to commercial projects used by millions of people.Loewgren and Reimer discuss the case studies at three levels of analysis: society and the role of collaborative media in societal change; institutions and the relationship of collaborative media with established media structures; and tribes, the nurturing of small communities within a large technical infrastructure.They conclude by advocating an interventionist turn within social analysis and media design.
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Content Production for Digital Media : An Introduction
This book provides an introduction to digital media content production in the twenty-first century.It explores the kinds of content production that are undertaken in professions that include journalism, public relations and marketing.The book provides an insight into content moderation and addresses the legal and ethical issues that content producers face, as well as how these issues can be effectively managed.Chapters also contain interviews with media professionals, and quizzes that allow readers to consolidate the knowledge they have gathered through their reading of that chapter.
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Media Organization and Production
Drawing on the work of international contributors Media Organization and Production examines a wide range of global-local media organizations and the production of different mediums and genres.Following the editor's introduction which sets out the principal differences of approach and defining debates, chapters address: transnational and national, commercial and public service corporations; international film and TV co-productions; children's television news production, the historical development of 'liveness' on radio, and music journalism; the politics and organizational forms of alternative media production including radical newspapers, video and the internet; and the changing 'production ecology' of natural history television. These topics are examined through a variety of theoretical and conceptual frameworks that help to illuminate how cultural production often involves a complex articulation of differing influences and constraints, both material and discursive, intended and unintended, structurally determined and culturally mediated.Together the chapters in this book help to recover this complexity and thereby help us to better understand the nature and output of today's media.
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What is the difference between media production and media design?
Media production involves the creation and execution of media content, such as films, television shows, and podcasts. It focuses on the technical and logistical aspects of bringing a media project to life, including filming, editing, and post-production. On the other hand, media design involves the conceptualization and visual representation of media content, such as graphic design, web design, and user interface design. It focuses on the artistic and creative aspects of media, including layout, color, typography, and user experience. In summary, media production is about bringing content to life, while media design is about shaping and presenting that content in a visually appealing and effective way.
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How to design the production?
To design the production, it is important to first understand the requirements and goals of the production. This includes determining the target audience, the message or story to be conveyed, and the resources available. Once these factors are understood, a production plan can be developed, outlining the necessary steps, timeline, and budget. This plan should consider all aspects of the production, including casting, scripting, set design, costume and makeup, lighting, sound, and post-production. Collaboration and communication among the production team are essential to ensure a cohesive and successful production.
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What is the difference between 1. production manager, 2. production manager, set production manager, and location production manager?
A production manager is responsible for overseeing the overall production process, including scheduling, budgeting, and coordinating the various departments involved in a project. A set production manager specifically focuses on managing the production activities on the set, including coordinating with the director, cast, and crew. A location production manager is responsible for managing the production activities at specific filming locations, including obtaining permits, coordinating with local authorities, and ensuring the smooth operation of the production at that location. Each role has a specific focus within the overall production process, with the production manager overseeing the entire production, the set production manager focusing on the activities on set, and the location production manager managing the activities at specific filming locations.
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'Warehouse or Production?'
When deciding between a warehouse or production facility, it is important to consider the specific needs of your business. A warehouse is typically used for storing and distributing finished goods, while a production facility is used for manufacturing products. If your business focuses on storing and distributing goods, a warehouse may be more suitable. However, if your business involves manufacturing products, a production facility would be more appropriate. Ultimately, the decision should be based on the nature of your business operations and requirements.
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Media Studies : Texts, Production, Context
This thoroughly revised and updated third edition provides a comprehensive introduction to the various approaches to the field, explaining why media messages matter, how media businesses prosper and why media is integral to defining contemporary life. The text is divided into three parts – Media texts and meanings; Producing media; and Media and social contexts – exploring the ways in which various media forms make meaning; are produced and regulated; and how society, culture and history are defined by such forms.Encouraging students to actively engage in media research and analysis, each chapter seeks to guide readers through key questions and ideas in order to empower them to develop their own scholarship, expertise and investigations of the media worlds in which we live.Fully updated to reflect the contemporary media environment, the third edition includes new case studies covering topics such as Brexit, podcasts, Love Island, Captain Marvel, Black Lives Matter, Netflix, data politics, the Kardashians, President Trump, ‘fake news’, the post-Covid world and perspectives on global media forms.This is an essential introduction for undergraduate and postgraduate students of media studies, cultural studies, communication studies, film studies, the sociology of the media and popular culture.
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Fashion Bags and Accessories : Creative Design and Production
Fashion Bags and Accessories explores fashion bags and related accessories, such as purses, wallets, clutches, cases, gloves and belts, through various approaches to creative design, product development, technological innovation, materials development, component design (hardware) and branding.Readers will become familiar with key constructions and gain grounding in both traditional craft-making techniques and contemporary digital manufacturing process.Traditional accessory materials like leather are considered alongside new and emerging sustainable materials.Key elements of fashion bags and accessories like component design, signature branding and logo design are also covered in depth.Primarily aimed at students on fashion design, product design, or specialized accessories courses, the book will also be a go-to reference for professionals wishing to move into or evolve in this product area.
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Beyond Virtual Production : Integrating Production Technologies
Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void, an early-adopter university-based virtual production studio at Flinders University in South Australia. From a cross-disciplinary short virtual production film, to a VR simulation of the last 100 seconds of life of earth, to the live performance of the virtual band Big Sands, to augmented and extended reality, to archaeological projects, this collection captures the potential applications of virtual production technology and provides a framework for cross-disciplinary work and industry collaborations both in a university context and beyond.It offers insight into the development of virtual production courses and encompasses research into theories of performance, liveness, methods for co-creation, gender in virtual production careers, and object digitization and its representation while highlighting significant pathways of industry partnerships alongside experimental art practices. Creative technology and interdisciplinary practitioners, researchers, students, and teachers will find inspiration and practical guidance in these chapters. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
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Digital Production, Design and Development T Level: Core
Tackle the core component of the Digital Production, Design and Development T Level with this comprehensive resource. Written by highly respected authors, Mo Everett and Sonia Stuart, this clear, accessible and thorough textbook will guide learners through the key principles, concepts and terminology, as well as providing the inside track into what it takes to kick-start a career in the Digital world. - Simplify complex topics with summary tables, diagrams, key term definitions and a glossary. - Track and strengthen knowledge by using learning outcomes at the beginning of every unit and 'Test Yourself' questions. - Apply knowledge and understanding across 100s of engaging activities and research tasks. - Prepare for exams and the employer-set project using practice questions and project practice exercises. - Get ready for the workplace with industry tips and real-world examples. - Be guided through the course by expert authors Mo Everett and Sonia Stuart, who draw on their extensive industry and teaching experience.
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How is the digital post-production of thrillers done?
Digital post-production of thrillers involves various techniques to enhance the suspense and tension in the film. This can include color grading to create a moody and intense atmosphere, sound design to build tension and create jump scares, and visual effects to add elements of danger or mystery. Additionally, editing plays a crucial role in creating a fast-paced and gripping narrative, often using techniques such as quick cuts and close-ups to heighten the sense of urgency. Overall, the digital post-production of thrillers aims to immerse the audience in a thrilling and suspenseful experience through the use of various technical and creative tools.
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What is the difference between series production and batch production?
Series production involves producing a large quantity of identical products continuously, often using assembly line techniques, while batch production involves producing a specific quantity of products at a time before moving on to the next batch. In series production, the production process is more streamlined and efficient, as it is optimized for producing the same product repeatedly. Batch production allows for more flexibility in terms of product variations and customization, as each batch can be adjusted to meet specific requirements. Overall, series production is more suitable for high-volume production, while batch production is better suited for smaller quantities and more diverse product lines.
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What is the difference between batch production and continuous production?
Batch production involves producing a specific quantity of a product before moving on to the next batch, with each batch having a distinct start and end point. On the other hand, continuous production involves a constant flow of raw materials and output, with production running 24/7 without stopping. Batch production is more flexible and allows for easier customization of products, while continuous production is more efficient and cost-effective for high-volume production of standardized goods.
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What is the difference between bench production and workshop production?
Bench production involves individual workers completing a specific task or product at their own workstations, while workshop production involves a group of workers collaborating on different aspects of a project in a shared workspace. Bench production is more suitable for smaller-scale, specialized tasks, while workshop production is better for larger projects that require multiple skills and resources. Workshop production allows for more flexibility and creativity in problem-solving, while bench production can be more efficient for repetitive tasks.
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